Composer

:

Paul Schoenfield

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1980

Average_duration

:

16:51

Movement_count

:

3

Movement ....

Country Fiddle Pieces (3) is a composition by American composer Paul Schoenfield. It was composed in 1986 and premiered on March 22, 1987, by the St. Paul Chamber Orchestra, with violinist Pinchas Zukerman as the soloist. The piece consists of three movements, each of which is inspired by traditional American fiddle music. The first movement, titled "Hoe-Down," is a lively and energetic piece that features a fast tempo and a driving rhythm. The violin soloist plays a series of virtuosic runs and trills, while the orchestra provides a lively accompaniment with syncopated rhythms and colorful harmonies. The movement is characterized by its playful and upbeat mood, which captures the spirit of traditional American hoedowns. The second movement, titled "Waltz," is a slower and more lyrical piece that features a lilting 3/4 time signature. The violin soloist plays a simple and elegant melody, while the orchestra provides a lush and romantic accompaniment with rich harmonies and sweeping string lines. The movement is characterized by its nostalgic and sentimental mood, which evokes the gentle and romantic side of traditional American fiddle music. The third movement, titled "Rag," is a fast and syncopated piece that features a ragtime rhythm and a lively melody. The violin soloist plays a series of jazzy and bluesy riffs, while the orchestra provides a lively and rhythmic accompaniment with syncopated rhythms and colorful harmonies. The movement is characterized by its playful and improvisational mood, which captures the spirit of traditional American ragtime music. Overall, Country Fiddle Pieces (3) is a lively and colorful work that showcases Schoenfield's skillful blending of classical and folk music traditions. The piece is notable for its virtuosic violin writing, colorful orchestration, and playful and upbeat mood, which make it a popular choice for soloists and orchestras alike.

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