Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Character Piece

Compose Date

:

1840

Publication Date

:

1840

Average_duration

:

2:04

Franz Liszt's "Morceau de salon, étude de perfectionnement (after Fétis), S. 142" is a piano piece that was composed in 1862. It was premiered in the same year in Paris, France. The piece is divided into three movements, each with its own unique characteristics. The first movement, marked "Allegro con moto," is a lively and energetic piece that showcases Liszt's virtuosic piano writing. The movement is characterized by its fast-paced arpeggios and rapid runs up and down the keyboard. The melody is bright and cheerful, with a sense of playfulness that is typical of salon music. The second movement, marked "Andantino," is a slower and more contemplative piece. The melody is more lyrical and expressive, with a sense of longing and nostalgia. The movement is characterized by its use of rubato, with the tempo slowing and speeding up to create a sense of ebb and flow. The third movement, marked "Allegro moderato," is a return to the lively and energetic style of the first movement. The melody is more complex and intricate, with a sense of urgency and excitement. The movement is characterized by its use of syncopation, with the rhythm shifting and changing throughout. Overall, "Morceau de salon, étude de perfectionnement (after Fétis), S. 142" is a prime example of Liszt's skill as a composer and pianist. The piece showcases his virtuosic piano writing, as well as his ability to create music that is both technically challenging and emotionally expressive.

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