Composer

:

Johann Hermann Schein

Genre

:

Chamber

Style

:

Suite

Publication Date

:

1617

Johann Hermann Schein's 'Suite for 5 instruments No. 7 in A minor (Banchetto musicale)' is a Baroque instrumental work that was composed in the early 17th century. The suite was first premiered in Leipzig, Germany in 1617. It is a collection of dances that were popular during the Baroque era, and it is divided into six movements. The first movement of the suite is a lively and energetic allemande, which is a German dance that was popular during the Baroque era. The second movement is a slow and stately courante, which is a French dance that was also popular during the Baroque era. The third movement is a lively and upbeat galliard, which is an Italian dance that was popular during the Renaissance and Baroque eras. The fourth movement is a slow and expressive sarabande, which is a Spanish dance that was popular during the Baroque era. The fifth movement is a fast and lively gigue, which is an English dance that was popular during the Baroque era. The final movement is a lively and energetic canarie, which is a dance that originated in the Canary Islands and was popular during the Baroque era. The suite is characterized by its use of counterpoint, which is a musical technique that involves the combination of two or more melodies that are played simultaneously. Schein's use of counterpoint in the suite creates a rich and complex texture that is typical of Baroque music. The suite also features a variety of instrumental combinations, including a combination of violins, viola, and basso continuo. Overall, Schein's 'Suite for 5 instruments No. 7 in A minor (Banchetto musicale)' is a lively and engaging work that showcases the popular dances of the Baroque era. Its use of counterpoint and instrumental combinations make it a prime example of Baroque instrumental music.

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