Composer

:

Alexander Scriabin

Genre

:

Keyboard

Style

:

Prelude

Compose Date

:

1895 - 1896

Average_duration

:

1:39

Alexander Scriabin's Prelude for piano in A major, Op. 15/1, was composed in 1895 and premiered the same year in Moscow. The piece is part of a set of 24 preludes, each in a different key, that Scriabin composed between 1894 and 1895. The Prelude in A major is a short, lyrical piece that showcases Scriabin's early style, which was heavily influenced by Chopin and other Romantic composers. The piece is in ternary form, with a gentle, flowing melody in the A section and a more dramatic, virtuosic middle section in the key of F-sharp minor. The A section returns at the end, but with a slightly altered melody that leads to a quiet, peaceful conclusion. One of the most notable characteristics of the Prelude in A major is its use of harmony. Scriabin was known for his innovative approach to harmony, and this piece is no exception. The opening chords, for example, are a series of major and minor triads that create a sense of ambiguity and tension. Throughout the piece, Scriabin uses unexpected chord progressions and chromaticism to create a rich, complex harmonic language. Another characteristic of the Prelude in A major is its use of rubato. Scriabin was known for his expressive, improvisatory style of playing, and this piece is meant to be played with a great deal of freedom and flexibility. The performer is encouraged to take liberties with the tempo and phrasing, creating a sense of spontaneity and emotional intensity. Overall, the Prelude in A major is a beautiful example of Scriabin's early style, showcasing his innovative approach to harmony and his expressive, improvisatory playing style. It remains a popular piece among pianists and audiences alike, and is often performed as part of the complete set of 24 preludes.

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