Composer

:

Francis Jackson

Genre

:

Keyboard

Style

:

Prelude

Compose Date

:

1984

Average_duration

:

23:21

Movement_count

:

5

Movement ....

Francis Jackson's 'Preludes (5) on English Hymn Tunes, Op. 60' is a collection of five preludes for organ, each based on a different English hymn tune. The work was composed in 1971 and premiered by the composer himself at York Minster on 17th October of the same year. The first prelude is based on the hymn tune 'St. Anne', which is commonly associated with the hymn 'O God, Our Help in Ages Past'. The prelude begins with a majestic introduction, followed by a lively and rhythmic section that features the hymn tune in the pedal. The second prelude is based on the hymn tune 'Richmond', which is associated with the hymn 'Lead Us, Heavenly Father, Lead Us'. This prelude is more contemplative in nature, with a gentle and flowing melody that is accompanied by delicate arpeggios. The third prelude is based on the hymn tune 'St. Columba', which is associated with the hymn 'The King of Love My Shepherd Is'. This prelude is more complex than the previous two, with intricate counterpoint and a more dissonant harmonic language. The fourth prelude is based on the hymn tune 'St. Denio', which is associated with the hymn 'Immortal, Invisible, God Only Wise'. This prelude is lively and energetic, with a driving rhythm and a joyful melody that is passed between the hands. The final prelude is based on the hymn tune 'Westminster Abbey', which is associated with the hymn 'Christ Is Made the Sure Foundation'. This prelude is the most grandiose of the five, with a powerful opening fanfare and a majestic melody that is accompanied by full organ chords. The prelude builds to a triumphant climax before ending with a quiet and reflective coda. Overall, 'Preludes (5) on English Hymn Tunes, Op. 60' is a masterful collection of organ preludes that showcases Francis Jackson's skill as a composer and his deep understanding of the English hymn tradition. Each prelude is unique in its character and style, but they are all united by a sense of reverence and devotion to the hymns on which they are based.

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