Composer

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Sigfrid Karg-Elert

Genre

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Keyboard

Average_duration

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3:21

'O Ewigkeit, du Donnerwort, Op. 65/42' is a choral prelude composed by Sigfrid Karg-Elert in 1909. The piece is based on the hymn of the same name by Johann Rist, which is a meditation on the theme of eternal life and the final judgment. The work is written for organ and is one of Karg-Elert's most famous compositions. The piece is divided into three movements, each of which reflects a different aspect of the hymn's text. The first movement is marked "Majestätisch" and is a grand and powerful statement of the hymn's opening lines: "O Ewigkeit, du Donnerwort, / O Schwert, das durch die Seele bohrt." The organ's full range is used to create a sense of awe and majesty, with the use of full chords and pedal notes. The second movement is marked "Andante con moto" and is a more reflective and introspective section. The text of the hymn speaks of the "bitterness of death" and the "fear of judgment," and Karg-Elert's music reflects this with a more subdued and somber tone. The use of chromatic harmonies and dissonant chords creates a sense of unease and tension. The final movement is marked "Allegro con fuoco" and is a triumphant and joyful statement of the hymn's final lines: "O Liebe, die nicht wanken kann, / O Gott, erbarm dich unser dann!" The organ's full power is once again on display, with the use of fast runs and virtuosic passages. The piece ends with a grand and triumphant chord, reflecting the hope and joy of eternal life. Overall, 'O Ewigkeit, du Donnerwort, Op. 65/42' is a powerful and moving work that showcases Karg-Elert's skill as a composer for the organ. The piece premiered in 1909 and has since become a staple of the organ repertoire.

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