Composer

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Hieronymus Praetorius

Genre

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Keyboard

Style

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Keyboard

Average_duration

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10:47

Magnificat primi toni is a choral work composed by Hieronymus Praetorius, a German composer and organist of the late Renaissance period. The piece was composed in the early 17th century, and its premiere is not known. The Magnificat primi toni is a setting of the Magnificat, a hymn of praise to the Virgin Mary, and is written for five voices (SSATB). The piece is divided into eight movements, each corresponding to a verse of the Magnificat. The movements are as follows: 1. Magnificat anima mea Dominum (My soul doth magnify the Lord) 2. Et exultavit spiritus meus in Deo salutari meo (And my spirit hath rejoiced in God my Saviour) 3. Quia respexit humilitatem ancillae suae (For he hath regarded the lowliness of his handmaiden) 4. Quia fecit mihi magna qui potens est (For he that is mighty hath done great things to me) 5. Et sanctum nomen eius (And holy is his name) 6. Et misericordia eius a progenie in progenies timentibus eum (And his mercy is on them that fear him throughout all generations) 7. Fecit potentiam in brachio suo (He hath showed strength with his arm) 8. Deposuit potentes de sede et exaltavit humiles (He hath put down the mighty from their seat, and hath exalted the humble) The Magnificat primi toni is characterized by its use of polyphony, a technique in which multiple voices sing different melodies simultaneously. Praetorius employs this technique throughout the piece, creating a rich and complex texture. The piece also features frequent use of imitation, in which one voice introduces a melody that is then repeated by another voice. Overall, the Magnificat primi toni is a beautiful and intricate choral work that showcases Praetorius's skill as a composer. Its use of polyphony and imitation make it a prime example of Renaissance choral music.

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