Arcangelo Borsaro
Sit nomen Domini benedictum (Florilegii Musici Portensis, No. 84)
Works Info
Composer:Arcangelo BorsaroGenre:ChoralPublication Date:1621Average_duration:4:27'Sit nomen Domini benedictum' is a sacred choral composition by the Italian composer Arcangelo Borsaro. The piece is part of the Florilegii Musici Portensis, a collection of sacred music published in 1625 in Portugal. The composition is numbered as No. 84 in the collection. The piece is written for four voices, with the text taken from the Book of Psalms. The composition is in Latin, and the text translates to "Blessed be the name of the Lord forevermore." The piece is a short motet, with a duration of approximately two minutes. The composition is characterized by its simple and elegant melody, which is supported by a rich harmonic structure. The piece is written in a homophonic style, with all four voices singing the same text at the same time. The piece is also characterized by its use of imitative polyphony, with the voices echoing each other in a call-and-response fashion. The premiere of 'Sit nomen Domini benedictum' is not known, as the piece was published as part of a collection rather than as a standalone work. However, the collection was published in 1625, which gives us an idea of the time period in which the piece was composed. The piece is divided into two movements, with the first movement featuring the text "Sit nomen Domini benedictum" and the second movement featuring the text "Ex hoc nunc et usque in saeculum." The first movement is characterized by its slow and solemn tempo, while the second movement is more lively and energetic. Overall, 'Sit nomen Domini benedictum' is a beautiful and expressive piece of sacred music that showcases Borsaro's skill as a composer. The piece is still performed today by choirs around the world, and it remains a testament to the enduring power of sacred music.More....
Works Music
Released Music
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Sit nomen Domini benedictum (Florilegii Musici Portensis, No. 84)
Sit nomen Domini benedictum, à 8 (Nr. 84)
4:27