Composer

:

Johann Pachelbel

Genre

:

Keyboard

Style

:

Fugue

Compose Date

:

before Apr 1706

Average_duration

:

2:30

Johann Pachelbel's Magnificat Fugue in tone 1, No. 22, T. 122 is a choral work that was composed in the Baroque era. It was written for a choir and orchestra and is based on the text of the Magnificat, a hymn of praise from the Gospel of Luke. The piece is in the key of D major and is divided into six movements. The Magnificat Fugue was composed in the late 17th century, around 1690. It was first performed in the St. Sebaldus Church in Nuremberg, Germany, where Pachelbel was the organist. The piece was well-received and became one of Pachelbel's most popular works. The first movement of the Magnificat Fugue is a fugue based on the first line of the Magnificat text, "Magnificat anima mea Dominum" (My soul magnifies the Lord). The second movement is a duet for soprano and alto, which is based on the second line of the text, "Et exultavit spiritus meus in Deo salutari meo" (And my spirit rejoices in God my Savior). The third movement is a chorus based on the third line of the text, "Quia respexit humilitatem ancillae suae" (For he has looked upon the lowliness of his servant). The fourth movement is a duet for tenor and bass, which is based on the fourth line of the text, "Ecce enim ex hoc beatam me dicent omnes generationes" (For behold, from henceforth all generations shall call me blessed). The fifth movement is a chorus based on the fifth line of the text, "Quia fecit mihi magna qui potens est" (For he that is mighty has done great things to me). The final movement is a fugue based on the sixth line of the text, "Et sanctum nomen eius" (And holy is his name). The Magnificat Fugue is characterized by its use of counterpoint and fugue. Pachelbel was known for his skill in writing fugues, and this piece is a prime example of his talent. The piece also features a variety of textures, from the full choir and orchestra to duets and solos. The use of different textures helps to keep the piece interesting and engaging for the listener. Overall, the Magnificat Fugue in tone 1, No. 22, T. 122 is a beautiful and complex choral work that showcases Pachelbel's skill as a composer. Its use of counterpoint and fugue make it a challenging piece for performers, but its beauty and complexity make it a beloved work in the choral repertoire.

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