Composer

:

Orlande de Lassus

Genre

:

Choral

Average_duration

:

3:49

'Conditor alme siderum, H. xviii/14' is a sacred motet composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece was composed in the late 16th century and was first performed in Munich, Germany. It is a part of Lassus' collection of hymns and motets, which were composed for the liturgical services of the Catholic Church. The motet is divided into four movements, each of which is based on a different verse of the hymn 'Conditor alme siderum'. The first movement is a polyphonic setting of the first verse of the hymn, which is sung by the choir in unison. The second movement is a contrapuntal setting of the second verse, which features a solo voice accompanied by the choir. The third movement is a homophonic setting of the third verse, which is sung by the choir in unison. The final movement is a polyphonic setting of the fourth verse, which features the choir singing in four-part harmony. The characteristics of 'Conditor alme siderum, H. xviii/14' reflect the compositional style of Lassus, who was known for his mastery of polyphonic writing. The motet features complex harmonies and intricate counterpoint, which are typical of Lassus' style. The use of solo voices and homophonic textures in some of the movements also reflects Lassus' interest in exploring different textures and vocal combinations. Overall, 'Conditor alme siderum, H. xviii/14' is a beautiful and complex piece of sacred music that showcases Lassus' skill as a composer. Its premiere in Munich would have been a significant event in the musical life of the city, and it continues to be performed and appreciated by musicians and audiences today.

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