Composer

:

Wilhelm Friedemann Bach

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

ca. 1770 - 1775

Publication Date

:

1972

Average_duration

:

11:40

Wilhelm Friedemann Bach was a German composer and musician who was born in Weimar on November 22, 1710. He was the eldest son of Johann Sebastian Bach and Maria Barbara Bach. He was a prolific composer and wrote many works for keyboard, including the 'Fantasia for keyboard in C minor, F. 15 (BR A18)'. The 'Fantasia for keyboard in C minor, F. 15 (BR A18)' was composed by Wilhelm Friedemann Bach in the mid-1740s. It is a solo keyboard work that is written in the key of C minor. The piece is in three movements and has a total duration of approximately 10 minutes. The first movement of the 'Fantasia for keyboard in C minor, F. 15 (BR A18)' is marked Adagio. It is a slow and melancholic movement that is characterized by its use of chromaticism and dissonance. The movement is in a free form and does not follow a strict structure. It features a number of virtuosic passages that showcase the performer's technical abilities. The second movement of the 'Fantasia for keyboard in C minor, F. 15 (BR A18)' is marked Allegro. It is a fast and lively movement that is characterized by its use of counterpoint and imitation. The movement is in a binary form and features a number of contrasting themes. The movement is notable for its use of syncopation and its rapid scalar passages. The third movement of the 'Fantasia for keyboard in C minor, F. 15 (BR A18)' is marked Adagio. It is a slow and introspective movement that is characterized by its use of ornamentation and embellishment. The movement is in a ternary form and features a number of expressive melodic lines. The movement is notable for its use of suspensions and its use of dissonance to create tension and release. Overall, the 'Fantasia for keyboard in C minor, F. 15 (BR A18)' is a challenging and expressive work that showcases Wilhelm Friedemann Bach's skill as a composer and his understanding of keyboard technique. The piece was premiered in the mid-1740s and has since become a staple of the keyboard repertoire.

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