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Saverio Mercadante
The Seven Last Words
Released Album
 
Works Info
Composer
:
Saverio Mercadante
Genre
:
Choral
Style
:
Choral
Saverio Mercadante's "The Seven Last Words" is a sacred oratorio composed in 1830. It premiered on Good Friday of the same year in the Cathedral of Santa Maria Assunta in Naples, Italy. The oratorio is divided into seven movements, each corresponding to one of the seven last phrases spoken by Jesus Christ on the cross. The first movement, "Father, forgive them, for they know not what they do," is a somber and mournful piece that sets the tone for the rest of the oratorio. The second movement, "Today you will be with me in paradise," is a more hopeful and uplifting piece, featuring a solo soprano and a chorus. The third movement, "Woman, behold your son. Son, behold your mother," is a duet between a tenor and a soprano, representing Mary and John. The music is tender and emotional, reflecting the love and compassion between the two. The fourth movement, "My God, my God, why have you forsaken me?" is a powerful and dramatic piece, featuring a solo baritone and a chorus. The music is intense and anguished, reflecting the pain and suffering of Christ on the cross. The fifth movement, "I thirst," is a short and simple piece, featuring a solo tenor. The music is plaintive and reflective, expressing Christ's physical and spiritual thirst. The sixth movement, "It is finished," is a triumphant and celebratory piece, featuring a solo bass and a chorus. The music is grand and majestic, reflecting the completion of Christ's mission on earth. The final movement, "Father, into your hands I commend my spirit," is a peaceful and serene piece, featuring a solo soprano and a chorus. The music is gentle and contemplative, expressing Christ's surrender to God's will. Overall, Mercadante's "The Seven Last Words" is a powerful and emotional work that captures the essence of Christ's final moments on the cross. The music is varied and expressive, ranging from mournful and anguished to hopeful and triumphant. It remains a beloved and enduring work in the sacred music repertoire.
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