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Domenico Scarlatti
Sonata for keyboard in G minor, K. 30, L. 499 "The Cat's Fugue"
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Composer
:
Domenico Scarlatti
Genre
:
Keyboard
Style
:
Sonata
Compose Date
:
1738 - 1739
Average_duration
:
4:10
Domenico Scarlatti's Sonata for keyboard in G minor, K. 30, L. 499, also known as The Cat's Fugue, is a well-known and beloved piece of music. It was composed in the early 18th century, likely around 1738, during Scarlatti's time in the service of the Portuguese royal family. The piece is in three movements, with the second movement being a fugue. The first movement of the sonata is marked "Andante," and it begins with a simple, repetitive melody in the right hand. The left hand provides a steady accompaniment, with occasional flourishes that add interest and texture to the music. The melody is then repeated with some variations, and the movement ends with a brief coda. The second movement is the famous fugue, marked "Allegro." It begins with a subject that is immediately repeated in the left hand, and then taken up by the right hand. The subject is then developed and elaborated upon, with various entries and counterpoints. The fugue is notable for its playful and whimsical character, which has led to its nickname, The Cat's Fugue. Legend has it that Scarlatti was inspired to write the piece after hearing his pet cat walk across the keyboard. The final movement of the sonata is marked "Presto," and it is a lively and energetic piece. The right hand plays a rapid, virtuosic melody, while the left hand provides a driving bass line. The movement is full of rapid runs, trills, and other technical flourishes, and it ends with a flourish. Overall, Scarlatti's Sonata for keyboard in G minor, K. 30, L. 499, is a delightful and charming piece of music. Its three movements showcase Scarlatti's skill as a composer and his ability to create music that is both technically challenging and musically satisfying. The Cat's Fugue, in particular, has become one of Scarlatti's most famous and beloved works, and it continues to delight audiences and performers alike.
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