Composer

:

Johann Pachelbel

Genre

:

Keyboard

Style

:

Fugue

Compose Date

:

before Apr 1706

Average_duration

:

1:53

Johann Pachelbel's Magnificat Fugue in tone 6, No. 6, T. 170 is a choral work that was composed in the late 17th century. It was first premiered in the St. Sebaldus Church in Nuremberg, Germany, where Pachelbel served as the organist. The Magnificat Fugue is part of a larger work, the Magnificat in tone 6, which is a setting of the biblical text known as the Magnificat, or the Song of Mary. The Magnificat Fugue is a six-part fugue that is based on the opening phrase of the Magnificat text, "Magnificat anima mea Dominum" (My soul magnifies the Lord). The piece is written in the key of G minor and is characterized by its intricate counterpoint and use of chromaticism. The fugue subject is introduced by the alto voice and is then imitated by the other voices in turn. The piece features several episodes, or sections of music that do not use the fugue subject, which serve to provide contrast and variety. One of the notable characteristics of the Magnificat Fugue is its use of dissonance. Pachelbel employs dissonant intervals such as tritones and diminished fifths to create tension and drama in the music. However, he also resolves these dissonances in a way that is satisfying to the ear, demonstrating his skill as a composer. The Magnificat Fugue is also notable for its use of pedal points. A pedal point is a sustained note in the bass that remains unchanged while the harmonies above it change. Pachelbel uses pedal points to create a sense of stability and grounding in the music, even as the upper voices engage in complex counterpoint. Overall, the Magnificat Fugue in tone 6, No. 6, T. 170 is a masterful example of Pachelbel's skill as a composer. Its intricate counterpoint, use of chromaticism and dissonance, and skillful use of pedal points make it a challenging and rewarding piece for both performers and listeners.

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