Composer

:

Frank Martin

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1973

First Performance

:

Sep 9, 1973

Average_duration

:

25:05

Movement_count

:

6

Movement ....

Polyptyque: 6 images de la Passion du Christ is a choral work composed by Swiss composer Frank Martin. The piece was composed in 1969 and premiered in the same year in Zurich, Switzerland. The work is divided into six movements, each depicting a different image from the Passion of Christ. The first movement, "Le baiser de Judas" (The Kiss of Judas), is a haunting depiction of the betrayal of Jesus by Judas. The music is tense and dissonant, with the choir singing in a whisper-like manner. The second movement, "Le reniement de Pierre" (The Denial of Peter), is a somber and introspective piece that reflects on Peter's denial of Jesus. The music is slow and mournful, with the choir singing in a low register. The third movement, "Le couronnement d'épines" (The Crowning with Thorns), is a powerful and dramatic piece that depicts the brutal crowning of Jesus with thorns. The music is intense and dissonant, with the choir singing in a forceful and aggressive manner. The fourth movement, "La descente de croix" (The Descent from the Cross), is a poignant and emotional piece that reflects on the death of Jesus. The music is slow and mournful, with the choir singing in a low register. The fifth movement, "Le tombeau" (The Tomb), is a quiet and reflective piece that depicts the burial of Jesus. The music is slow and contemplative, with the choir singing in a hushed and reverent manner. The final movement, "La résurrection" (The Resurrection), is a triumphant and joyful piece that celebrates the resurrection of Jesus. The music is fast and energetic, with the choir singing in a bright and exultant manner. Overall, Polyptyque: 6 images de la Passion du Christ is a powerful and moving work that reflects on the central events of the Christian faith. The music is complex and challenging, with Martin using dissonance and unconventional harmonies to create a sense of tension and drama. The choir plays a central role in the work, with Martin using their voices to convey a range of emotions and moods.

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