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Claudio Monteverdi
Crucifuxus, Et Resurrexit, Et iterum venturus est, SV 259-261
Works Info
Composer
:
Claudio Monteverdi
Genre
:
Choral
Style
:
Mass Ordinary
Compose Date
:
ca. 1610
Average_duration
:
5:54
Claudio Monteverdi's 'Crucifixus, Et Resurrexit, Et iterum venturus est, SV 259-261' is a sacred choral work that was composed in the early 17th century. The piece is part of Monteverdi's larger collection of sacred music, which includes several other works that were composed for use in the Catholic Church. The composition of 'Crucifixus, Et Resurrexit, Et iterum venturus est' is believed to have taken place around 1610, during Monteverdi's time as the maestro di cappella at the Basilica di San Marco in Venice. The piece was likely composed for use during Holy Week, and it is thought to have been performed as part of the liturgy at the Basilica. The work is divided into three movements, each of which focuses on a different aspect of the Christian faith. The first movement, 'Crucifixus', is a solemn and mournful piece that reflects on the crucifixion of Jesus Christ. The music is slow and mournful, with the choir singing in a low register and the instrumental accompaniment providing a somber backdrop. The second movement, 'Et Resurrexit', is a joyful and triumphant piece that celebrates the resurrection of Christ. The music is faster and more energetic than the first movement, with the choir singing in a higher register and the instrumental accompaniment providing a lively and celebratory backdrop. The final movement, 'Et iterum venturus est', is a contemplative piece that looks forward to the second coming of Christ. The music is slower and more introspective than the second movement, with the choir singing in a lower register and the instrumental accompaniment providing a subdued and reflective backdrop. Overall, 'Crucifixus, Et Resurrexit, Et iterum venturus est' is a powerful and moving work that showcases Monteverdi's skill as a composer of sacred music. The piece is notable for its use of contrasting musical styles to convey different aspects of the Christian faith, and for its ability to evoke both solemnity and joy in the listener.
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