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Marin Marais
Suite in D major (Pièces de viole, Book I, Nos. 28-47)
Works Info
Composer
:
Marin Marais
Genre
:
Chamber
Style
:
Suite
Publication Date
:
1686
Movement_count
:
18
Movement ....
Marin Marais was a French composer and viol player who lived from 1656 to 1728. He was one of the most prominent composers of his time and was known for his contributions to the development of the French Baroque style. One of his most famous works is the Suite in D major, which is part of his Pièces de viole, Book I. The Suite in D major was composed in the late 17th century and premiered in Paris in 1686. It is a collection of 20 movements, each with its own unique character and style. The suite is written for viola da gamba and continuo, which typically includes a harpsichord or organ and a bass instrument such as a cello or viola da gamba. The first movement of the suite is a prelude, which sets the tone for the rest of the work. It is followed by a series of dances, including allemandes, courantes, sarabandes, and gigues. Each dance has its own distinctive rhythm and tempo, and Marais uses a variety of musical techniques to create a sense of contrast and variety throughout the suite. One of the most notable characteristics of the Suite in D major is its use of ornamentation. Marais was known for his skill in improvisation, and he often included elaborate ornamentation in his compositions. The suite includes a variety of trills, mordents, and other embellishments, which add to the overall richness and complexity of the music. Another characteristic of the Suite in D major is its use of harmony. Marais was known for his innovative use of harmony, and he often incorporated unexpected chord progressions and dissonances into his compositions. This can be heard throughout the suite, particularly in the more complex movements such as the chaconne and the passacaille. Overall, the Suite in D major is a masterpiece of the French Baroque style. It showcases Marais' skill as a composer and viol player, and it remains a popular work in the repertoire of early music performers today.
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