Composer

:

Torino Manuscript Anonymous

Genre

:

Choral

Average_duration

:

3:24

"Magni patris magna mira / Ovent Cyprus" is a motet No. 17 for 4 voices, composed by an anonymous composer from the Torino Manuscript. The manuscript dates back to the 15th century and is currently housed in the Biblioteca Nazionale Universitaria in Turin, Italy. The motet is believed to have been composed in the late medieval period, around the 14th or 15th century. The motet is divided into three movements, each with its own distinct characteristics. The first movement is in a triple meter and is characterized by its lively and rhythmic melody. The second movement is in a duple meter and is more contemplative in nature, with a slower tempo and a more subdued melody. The third movement returns to the triple meter of the first movement and is characterized by its energetic and joyful melody. The text of the motet is in Latin and is a hymn to the greatness of God. The title "Magni patris magna mira" translates to "Great Father, Great Wonders" and refers to the awe-inspiring power of God. The text is divided into three sections, each corresponding to one of the three movements of the motet. The first section of the text praises God for his greatness and power, while the second section reflects on the mystery of the incarnation and the sacrifice of Christ. The third section is a joyful celebration of the resurrection and the promise of eternal life. The motet is written for four voices, with each voice singing a different part of the text. The four voices are arranged in a typical medieval polyphonic style, with each voice singing a different melody that weaves together to create a complex and harmonious whole. Overall, "Magni patris magna mira / Ovent Cyprus" is a beautiful example of medieval sacred music, with its intricate polyphony and rich harmonies. Its joyful celebration of the greatness of God and the promise of eternal life make it a timeless piece of music that continues to inspire and uplift listeners today.

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