Composer

:

Thomas Morley

Genre

:

Choral

Style

:

Choral

Compose Date

:

before 1593

Publication Date

:

1593

Average_duration

:

5:48

'Farewell, disdainful' is a madrigal composed by Thomas Morley, an English composer, organist, and theorist of the Renaissance era. The piece was composed in the late 16th century, around 1595, and was first published in his collection of madrigals, "The Triumphs of Oriana" in 1601. The madrigal is written for five voices, with the text expressing the emotions of a lover who is bidding farewell to his disdainful mistress. The piece is in the key of G major and is written in a homophonic style, with the voices moving together in harmony. The piece is divided into three movements, with the first and third movements being in a lively and upbeat tempo, while the second movement is slower and more contemplative. The first movement begins with a lively and rhythmic introduction, with the voices singing in unison before breaking into a polyphonic texture. The second movement is more introspective, with the voices singing in a more subdued and melancholic manner. The third movement returns to the lively and rhythmic style of the first movement, with the voices singing in a joyful and celebratory manner. The characteristics of 'Farewell, disdainful' reflect the style of the English madrigal, which was popular during the Renaissance era. The piece features a clear and concise melody, with the voices moving together in harmony. The use of homophonic textures and lively rhythms are also characteristic of the English madrigal style. Overall, 'Farewell, disdainful' is a beautiful example of the English madrigal, showcasing Morley's skill as a composer and his ability to capture the emotions of the text through his music.

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