Composer

:

Anton Bruckner

Genre

:

Choral

Compose Date

:

ca. 1852

Average_duration

:

1:10

Anton Bruckner's Totenlied No. 1 in E flat major, WAB 47, is a choral work that was composed in 1860. The piece was premiered in the same year in Linz, Austria. The work is divided into three movements, with the first and third movements being in E flat major, while the second movement is in C minor. The first movement of the Totenlied No. 1 is marked "Langsam und feierlich" (slow and solemn) and is characterized by its mournful and somber tone. The movement begins with a unison chant by the choir, which is then joined by the orchestra. The music gradually builds in intensity, with the choir and orchestra alternating between moments of quiet reflection and powerful outbursts. The movement ends with a quiet, peaceful coda. The second movement, marked "Schnell" (fast), is a scherzo that provides a stark contrast to the first movement. The music is lively and energetic, with a driving rhythm and playful melodies. The movement is in C minor, which adds to its sense of tension and urgency. The scherzo is followed by a trio section that is more subdued and introspective. The final movement, marked "Langsam" (slow), returns to the mournful tone of the first movement. The music is characterized by its long, sustained phrases and rich harmonies. The choir sings a text that reflects on the transience of life and the inevitability of death. The movement builds to a powerful climax before subsiding into a quiet, peaceful conclusion. Overall, the Totenlied No. 1 is a deeply emotional work that reflects Bruckner's preoccupation with death and mortality. The music is characterized by its rich harmonies, powerful choral writing, and sense of solemnity and introspection.

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