Composer

:

Thomas Jennefelt

Genre

:

Choral

Style

:

Choral

Average_duration

:

10:41

"Villarosa sarialdi" is a choral work composed by Swedish composer Thomas Jennefelt in 1993. The piece was premiered in Stockholm, Sweden, in the same year. It is a four-movement work that is characterized by its use of extended vocal techniques and its exploration of the human voice as an instrument. The first movement, "Villarosa sarialdi," is a setting of a traditional Italian folk song. The text tells the story of a young woman who is in love with a man who is far away. The music is characterized by its use of dissonant harmonies and its exploration of the full range of the choir's voices. The choir is divided into four parts, each of which sings a different melody. The result is a complex and layered texture that is both haunting and beautiful. The second movement, "Sirens," is a setting of a poem by the Swedish poet Tomas Tranströmer. The text describes the mythical creatures known as sirens, who lure sailors to their deaths with their beautiful singing. The music is characterized by its use of glissandi and other extended vocal techniques, which create a sense of otherworldliness and danger. The third movement, "The Angel," is a setting of a poem by the American poet William Blake. The text describes an angel who appears to a group of children and tells them to "behold the Lamb of God." The music is characterized by its use of ethereal harmonies and its exploration of the choir's upper register. The result is a sense of wonder and awe that is both uplifting and transcendent. The final movement, "The Rose," is a setting of a poem by the Swedish poet Edith Södergran. The text describes a rose that is both beautiful and fragile, and that is ultimately destroyed by the wind. The music is characterized by its use of dissonant harmonies and its exploration of the choir's lower register. The result is a sense of sadness and loss that is both poignant and powerful. Overall, "Villarosa sarialdi" is a complex and challenging work that showcases Jennefelt's mastery of choral composition. Its use of extended vocal techniques and its exploration of the human voice as an instrument make it a unique and innovative piece of music that is both beautiful and haunting.

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