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Domenico Scarlatti
Sonata for keyboard in E flat major, K. 508, L. 19
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Works Info
Composer
:
Domenico Scarlatti
Genre
:
Keyboard
Style
:
Sonata
Average_duration
:
5:09
Domenico Scarlatti's Sonata for keyboard in E flat major, K. 508, L. 19, is a solo keyboard work that was composed in the early 18th century. The exact date of composition is unknown, but it is believed to have been written between 1738 and 1742. The sonata is one of Scarlatti's most popular works and is frequently performed by pianists and harpsichordists today. The sonata is in three movements, with a total playing time of approximately 10 minutes. The first movement is marked Allegro, and is characterized by its lively and energetic tempo. The second movement is marked Andante, and is more lyrical and introspective in nature. The final movement is marked Allegro, and is a fast and virtuosic display of keyboard technique. Scarlatti's Sonata in E flat major is typical of his keyboard works in its use of virtuosic runs, trills, and ornamentation. The sonata is also notable for its use of unusual harmonies and unexpected modulations, which give the work a sense of unpredictability and excitement. Scarlatti's keyboard writing is highly idiomatic, and the sonata makes full use of the capabilities of the harpsichord or piano. The sonata was likely composed for Scarlatti's patron, Queen Maria Barbara of Spain, who was a talented keyboard player herself. Scarlatti spent much of his career in Spain, where he composed over 500 keyboard sonatas. His works were highly influential in the development of keyboard music in the 18th century, and his use of virtuosic technique and unconventional harmonies paved the way for later composers such as Beethoven and Chopin. The premiere of Scarlatti's Sonata in E flat major is unknown, but it is likely that the work was performed in private for Queen Maria Barbara. Today, the sonata remains a popular and frequently performed work in the keyboard repertoire, and is admired for its technical brilliance and expressive depth.
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