Composer

:

George Antheil

Genre

:

Miscellaneous

Style

:

Miscellaneous

Compose Date

:

1924 - 1925

First Performance

:

1925

Average_duration

:

25:47

Ballet mécanique, for pianola, W. 156a, is a composition by American composer George Antheil. It was composed in 1924 and premiered in Paris in 1926. The piece is divided into four movements and is known for its use of mechanical sounds and dissonant harmonies. The first movement, marked "quarter note = 152," begins with a series of dissonant chords played by the pianola, a mechanical piano. The chords are repeated and gradually build in intensity, creating a sense of tension and excitement. The movement also features a variety of mechanical sounds, including sirens, airplane propellers, and car horns. The second movement, marked "quarter note = 126," is a slower and more contemplative section. It features a melody played by the pianola, accompanied by a variety of percussion instruments, including xylophone, glockenspiel, and snare drum. The movement also includes a section where the pianola plays a series of rapid arpeggios, creating a sense of frenzied energy. The third movement, marked "quarter note = 152," is a return to the frenetic energy of the first movement. It features a series of dissonant chords played by the pianola, accompanied by a variety of percussion instruments. The movement also includes a section where the pianola plays a rapid, repetitive melody, creating a sense of urgency and excitement. The fourth movement, marked "quarter note = 126," is a slower and more contemplative section. It features a melody played by the pianola, accompanied by a variety of percussion instruments. The movement gradually builds in intensity, with the pianola playing a series of rapid arpeggios and the percussion instruments becoming more prominent. The movement ends with a series of dissonant chords played by the pianola, bringing the piece to a dramatic close. Overall, Ballet mécanique is known for its use of mechanical sounds and dissonant harmonies. It was a groundbreaking work at the time of its premiere and remains a significant piece in the history of 20th-century music.

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