Composer

:

Julius Röntgen

Genre

:

Choral

Style

:

Motet

Compose Date

:

1929

Average_duration

:

4:21

'Kommt her zu mir, alle die ihr mein begeeret' is a choral work composed by Julius Röntgen in 1917. The piece was premiered on 22 April 1917 in Amsterdam, conducted by the composer himself. The work is divided into three movements, each with its own unique characteristics. The first movement, marked "Andante sostenuto," begins with a solemn and contemplative choral introduction. The text, taken from Matthew 11:28-30, invites all who are weary and burdened to come to Jesus for rest. The music is characterized by a sense of longing and yearning, with the choir singing in unison and then in harmony. The movement ends with a quiet and peaceful resolution. The second movement, marked "Allegro moderato," is more lively and energetic. The text, taken from Psalm 23, speaks of the Lord as a shepherd who leads his flock to green pastures and still waters. The music is characterized by a sense of joy and celebration, with the choir singing in a lively and rhythmic manner. The movement ends with a triumphant and exultant conclusion. The third movement, marked "Andante con moto," returns to a more contemplative mood. The text, taken from John 14:6, speaks of Jesus as the way, the truth, and the life. The music is characterized by a sense of mystery and wonder, with the choir singing in a hushed and reverent manner. The movement ends with a quiet and peaceful resolution, bringing the work to a gentle and contemplative close. Overall, 'Kommt her zu mir, alle die ihr mein begeeret' is a deeply spiritual and contemplative work, characterized by a sense of longing, joy, and wonder. Röntgen's use of choral harmony and rhythm creates a rich and complex texture, while his choice of texts emphasizes the themes of rest, guidance, and salvation. The work remains a powerful expression of faith and devotion, and a testament to Röntgen's skill as a composer.

More....