Composer

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Buxheimer Orgelbuch Anonymous

Genre

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Keyboard

Average_duration

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3:13

"En discort (Virginem mire pulchritudinis)" is a composition from the Buxheimer Orgelbuch, an anonymous collection of organ music from the 15th century. The exact date of composition is unknown, but it is believed to have been written in the mid-15th century. The piece is written in the style of a cantus firmus, with a single melody line that is repeated throughout the piece. The premiere of "En discort" is also unknown, as the Buxheimer Orgelbuch was not published or widely circulated during the composer's lifetime. However, the collection has been preserved and studied by musicologists, and "En discort" is considered one of the most notable pieces in the collection. The piece is divided into three movements, each with its own distinct character. The first movement is slow and contemplative, with a simple melody line that is repeated several times. The second movement is faster and more lively, with a more complex melody that is accompanied by a series of arpeggios and trills. The third movement is slower and more introspective, with a melody that is played in a lower register and accompanied by a series of chords. One of the most notable characteristics of "En discort" is its use of dissonance. The piece features several moments where the melody line clashes with the accompanying chords, creating a sense of tension and unease. This use of dissonance was a common feature of music from the 15th century, and was often used to create a sense of drama and emotional intensity. Overall, "En discort (Virginem mire pulchritudinis)" is a beautiful and complex piece of music that showcases the skill and creativity of the anonymous composer. Its use of dissonance and its three distinct movements make it a fascinating example of 15th-century organ music.

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