Composer

:

Franz Liszt

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1851

Publication Date

:

1853

Average_duration

:

5:23

Franz Liszt's 'Miserere, d'après Palestrina, S. 173/8' is a choral work that was composed in 1862. The piece is based on the 'Miserere' by Giovanni Pierluigi da Palestrina, a 16th-century Italian composer. Liszt's version of the 'Miserere' is a transcription for choir and organ, and it is considered to be one of his most significant works in this genre. The premiere of 'Miserere, d'après Palestrina' took place in 1862 in Weimar, Germany. The piece is divided into two movements, with the first movement being a setting of the 'Miserere' text and the second movement being a setting of the 'Gloria Patri' text. The first movement of the piece is characterized by its use of polyphony, which is a technique that involves multiple independent voices singing different melodies simultaneously. Liszt's use of polyphony in this movement is reminiscent of Palestrina's original composition, which was also known for its intricate polyphonic textures. The choir sings the 'Miserere' text in Latin, with the organ providing a rich harmonic accompaniment. The second movement of the piece is a setting of the 'Gloria Patri' text, which is sung in unison by the choir. This movement is more homophonic in nature, with all voices singing the same melody at the same time. The organ provides a simple accompaniment, with occasional flourishes that add to the overall grandeur of the piece. Overall, 'Miserere, d'après Palestrina' is a stunning example of Liszt's skill as a composer and arranger. The piece showcases his ability to take a well-known composition and transform it into something new and unique, while still paying homage to the original work. The use of polyphony and homophony in the two movements creates a sense of contrast and balance, making the piece a true masterpiece of choral music.

More....