Composer

:

Diego Ortiz

Genre

:

Chamber

Style

:

Song

Average_duration

:

1:26

Diego Ortiz was a Spanish composer and music theorist who lived in the 16th century. He is best known for his publication "Trattado de Glosas" (1553), which is a treatise on ornamentation in music. However, he also composed several pieces of music, including the "Recercata quinta sopra canto piano." The "Recercata quinta sopra canto piano" is a piece for solo keyboard, and it is part of a collection of works called "Trattado de Glosas sobre Cláusulas y Otros Generos de Puntos en la Música de Violones." This collection was published in 1553 and is considered one of the most important sources of instrumental music from the Renaissance period. The "Recercata quinta sopra canto piano" is believed to have been composed around the same time as the publication of the "Trattado de Glosas." It is a short piece, consisting of a single movement, and it is written in the style of a ricercar. A ricercar is a type of instrumental composition that was popular in the Renaissance period, and it is characterized by its use of imitative counterpoint. The "Recercata quinta sopra canto piano" is written in the key of G minor, and it is based on a simple melody that is presented at the beginning of the piece. The melody is then developed and elaborated upon through the use of various musical techniques, including imitation, inversion, and augmentation. The piece also features several sections where the melody is played in canon, with one voice following another at a fixed interval. Overall, the "Recercata quinta sopra canto piano" is a fine example of Renaissance keyboard music. It showcases Ortiz's skill as a composer and his understanding of the principles of counterpoint and ornamentation. It is a piece that is still performed and studied today, and it remains an important part of the keyboard repertoire from the Renaissance period.

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