Composer

:

Pierre de la Rue

Genre

:

Choral

Style

:

Choral

Average_duration

:

2:38

"Doleo super te" is a choral composition by Pierre de la Rue, a Franco-Flemish composer of the Renaissance era. The piece was composed in the late 15th century and is believed to have been premiered in the early 16th century. The composition is a four-voice motet, with the text taken from the Lamentations of Jeremiah. The piece is characterized by its somber and mournful tone, reflecting the text's themes of sorrow and lamentation. The motet is divided into three movements, each with its own distinct character. The first movement is marked by a slow and mournful tempo, with the voices singing in a homophonic texture. The second movement is more lively, with the voices singing in a polyphonic texture and featuring imitative counterpoint. The final movement returns to the somber tone of the first, with the voices singing in a homophonic texture once again. The composition is notable for its use of dissonance, which creates a sense of tension and unease throughout the piece. The dissonances are resolved in a way that is both satisfying and emotionally powerful, adding to the overall impact of the composition. Overall, "Doleo super te" is a powerful and moving composition that showcases Pierre de la Rue's skill as a composer. Its somber tone and use of dissonance make it a standout work of the Renaissance era.

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