Composer

:

Morton Feldman

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1981

Average_duration

:

84:40

Morton Feldman's "Patterns in a Chromatic Field" is a composition for cello and piano that was composed in 1981. The piece was premiered on October 16, 1981, at the University of Buffalo, New York, by cellist Chris Finckel and pianist Aleck Karis. The composition consists of a single movement that lasts approximately 90 minutes. The piece is characterized by its use of long, sustained tones and its exploration of the chromatic scale. The cello and piano often play in unison, creating a dense, rich sound that is both meditative and hypnotic. The piece is also notable for its use of silence, with long pauses between notes and sections. Feldman's approach to composition was heavily influenced by his interest in abstract expressionism and the visual arts. He believed that music should be experienced as a kind of abstract painting, with sound and silence creating a kind of sonic canvas. "Patterns in a Chromatic Field" is a prime example of this approach, with its use of repetition and variation creating a sense of movement and progression. The piece is divided into several sections, each of which explores a different aspect of the chromatic scale. The cello and piano often play in counterpoint, with the cello playing long, sustained notes while the piano provides a kind of rhythmic pulse. The piece also features several moments of improvisation, with the performers given the freedom to explore the sonic space in their own way. Overall, "Patterns in a Chromatic Field" is a challenging and rewarding composition that rewards careful listening and close attention to detail. Its use of repetition and variation creates a sense of timelessness, while its exploration of the chromatic scale creates a rich and complex sonic landscape.

More....