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Johann Ernst
Concerto for violin, strings & continuo in B major
Works Info
Composer
:
Johann Ernst
Genre
:
Concerto
Style
:
Concerto
Average_duration
:
6:33
Johann Ernst was a German composer and violinist who lived in the late 17th and early 18th centuries. He was a member of the famous musical Bach family and was highly regarded as a virtuoso violinist in his time. One of his most famous works is the Concerto for violin, strings & continuo in B major. The concerto was composed in the late 17th century, although the exact date is unknown. It was likely written for performance at the court of Weimar, where Johann Ernst was employed as a musician. The concerto is in three movements, typical of the Baroque concerto form. The first movement is marked Allegro and is in B major. It begins with a lively and energetic orchestral introduction, followed by the solo violin's entrance. The solo violin plays a virtuosic and highly ornamented melody, which is then developed and elaborated upon by the orchestra. The movement features a number of solo passages for the violin, showcasing the performer's technical abilities. The second movement is marked Adagio and is in E major. It is a slow and lyrical movement, with the solo violin playing a beautiful and expressive melody. The orchestra provides a delicate accompaniment, with the continuo (harpsichord and cello) providing a gentle harmonic foundation. The final movement is marked Allegro and is in B major. It is a lively and energetic movement, with the solo violin once again playing a virtuosic and highly ornamented melody. The orchestra provides a lively and rhythmic accompaniment, with the continuo providing a driving bass line. The movement features a number of solo passages for the violin, culminating in a dazzling cadenza. Overall, the Concerto for violin, strings & continuo in B major is a beautiful and virtuosic work, showcasing the talents of both the composer and the performer. It is a fine example of the Baroque concerto form, with its three movements and emphasis on solo virtuosity.
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