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Marcel Dupré
Variations for organ on "Il est né le divin Enfant", WoO
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Composer
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Marcel Dupré
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Keyboard
Style
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Variations
Average_duration
:
4:10
Marcel Dupré's 'Variations for organ on Il est né le divin Enfant, WoO' is a composition for solo organ that was composed in 1932. The piece was premiered by Dupré himself on December 18, 1932, at the Church of Saint-Sulpice in Paris, France. The composition consists of a theme and ten variations, with a coda at the end. The theme is a traditional French Christmas carol, 'Il est né le divin Enfant', which translates to 'He is born, the divine Child'. The variations explore different aspects of the theme, including its melody, harmony, and rhythm. The first variation is a simple statement of the theme, with added harmonies and a more elaborate accompaniment. The second variation is a lively scherzo, with a playful melody and a syncopated rhythm. The third variation is a slow and contemplative adagio, with a rich and expressive melody. The fourth variation is a fugue, with a complex and intricate counterpoint. The fifth variation is a toccata, with a fast and virtuosic melody and a driving rhythm. The sixth variation is a chorale, with a simple and hymn-like melody and a solemn character. The seventh variation is a canon, with a playful and lighthearted melody that is repeated and imitated by different voices. The eighth variation is a trio, with a three-part texture and a lively and dance-like character. The ninth variation is a passacaglia, with a repeating bass line that provides a foundation for a series of variations on the theme. The final variation is a grand and majestic statement of the theme, with added harmonies and a powerful accompaniment. The coda brings the piece to a triumphant close, with a final flourish of the organ. Overall, Dupré's 'Variations for organ on Il est né le divin Enfant, WoO' is a virtuosic and expressive work that showcases the capabilities of the organ. The variations explore a wide range of moods and styles, from playful and lighthearted to solemn and contemplative. The piece is a testament to Dupré's skill as a composer and performer, and remains a popular work in the organ repertoire.
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