Composer

:

Alexander Scriabin

Genre

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Keyboard

Style

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Keyboard

Compose Date

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1912 - 1913

Average_duration

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1:32

Alexander Scriabin's Poème for piano, Op. 69/2, was composed in 1911 and premiered the same year in Moscow. The piece is a single-movement work that lasts approximately six minutes. The Poème is characterized by Scriabin's signature harmonic language, which features lush, colorful chords and frequent use of chromaticism. The piece begins with a slow, mysterious introduction that gradually builds in intensity before giving way to a faster, more energetic section. Throughout the work, Scriabin employs a wide range of dynamics and articulations, creating a sense of drama and tension. One of the most striking features of the Poème is its use of rubato, or flexible tempo. Scriabin frequently marks sections of the piece with the instruction "agitato," indicating that the performer should play with a sense of urgency and intensity. This, combined with the rubato, gives the piece a sense of improvisation and spontaneity. The Poème is also notable for its use of pedal effects. Scriabin frequently marks sections of the piece with the instruction "con pedale," indicating that the performer should use the sustain pedal to create a rich, resonant sound. This, combined with the harmonic language and rubato, creates a sense of otherworldly beauty and intensity. Overall, Scriabin's Poème for piano, Op. 69/2, is a powerful and evocative work that showcases the composer's unique harmonic language and expressive style. Its use of rubato, pedal effects, and dynamic contrasts create a sense of drama and tension, while its lush harmonies and chromaticism create a sense of otherworldly beauty.

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