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Franz Liszt
Overture zu Oberon (after von Weber), S. 574
Works Info
Composer
:
Franz Liszt
Genre
:
Keyboard
Style
:
Keyboard
Compose Date
:
1846
Publication Date
:
1847
First Performance
:
Jul 24, 1844
Average_duration
:
9:02
Franz Liszt's "Overture zu Oberon (after von Weber), S. 574" is a composition for orchestra that was composed in 1846. The piece is based on the overture to Carl Maria von Weber's opera "Oberon," which was first performed in 1826. Liszt's version of the overture was premiered in Weimar, Germany, on August 28, 1846. The overture is divided into three movements. The first movement is marked "Allegro con fuoco" and begins with a fanfare-like introduction that leads into the main theme. The theme is played by the strings and is characterized by its lively and energetic melody. The movement features several sections that alternate between the main theme and more subdued passages. The movement ends with a triumphant restatement of the main theme. The second movement is marked "Andante con moto" and is more lyrical in nature. The movement begins with a gentle melody played by the woodwinds and is later joined by the strings. The melody is then passed between different sections of the orchestra, creating a sense of dialogue between the instruments. The movement ends with a quiet and peaceful coda. The final movement is marked "Presto" and is the most energetic of the three. The movement begins with a fast and frenzied theme played by the strings. The theme is then taken up by the woodwinds and brass, creating a sense of excitement and urgency. The movement features several sections that alternate between the main theme and more subdued passages. The movement ends with a triumphant restatement of the main theme. Overall, Liszt's "Overture zu Oberon" is a lively and energetic piece that showcases his skill as an orchestrator. The piece is characterized by its memorable melodies, dynamic contrasts, and virtuosic passages. It remains a popular work in the orchestral repertoire and is frequently performed in concert halls around the world.
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