Composer

:

Franz Lehár

Genre

:

Vocal

Style

:

Aria

Average_duration

:

4:03

"Immer nur Lächeln" is a popular operetta composed by Franz Lehár. The operetta premiered on 17th October 1920 at the Theater an der Wien in Vienna, Austria. The libretto was written by Fritz Grünbaum and Julius Wilhelm. The operetta consists of three acts and is set in Vienna during the early 20th century. The story revolves around the life of a young and beautiful actress named Lisl Glück, who is struggling to make a name for herself in the entertainment industry. She falls in love with a wealthy businessman named Max, who is already engaged to another woman. The plot thickens when Lisl's ex-lover, a famous actor named Franz, returns to Vienna and tries to win her back. The first act of the operetta begins with a lively overture, followed by a scene in which Lisl is rehearsing for a play. She is interrupted by Max, who has come to watch her perform. The two fall in love at first sight, and Max promises to help Lisl become a star. However, their happiness is short-lived when Max's fiancée, Helene, arrives on the scene. The second act takes place at a party hosted by Max. Lisl and Franz meet again, and old feelings are rekindled. Meanwhile, Max and Helene's relationship is on the rocks, and Lisl is torn between her love for Max and her loyalty to Franz. The final act of the operetta sees Lisl and Max reunited, but their happiness is threatened by Franz's jealousy. In the end, Lisl chooses Max, and Franz is left heartbroken. "Immer nur Lächeln" is known for its catchy tunes and lively dance numbers. The operetta features several memorable songs, including "Immer nur Lächeln", "Ich bin verliebt", and "Ich hab' dich lieb". The music is characterized by Lehár's signature waltz rhythms and lush orchestration. Overall, "Immer nur Lächeln" is a charming and entertaining operetta that captures the spirit of Vienna during the early 20th century. Its timeless themes of love, jealousy, and ambition continue to resonate with audiences today.

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