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Anton Webern
Schatzwalzer (trans. after J. Strauss)
Released Album
 
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Works Info
Composer
:
Anton Webern
Genre
:
Chamber
Style
:
Waltz
Compose Date
:
1921
Average_duration
:
8:40
Anton Webern's "Schatzwalzer" is a transcription of Johann Strauss II's waltz "Schatz-Walzer" (Treasure Waltz). Webern, a prominent member of the Second Viennese School, composed the transcription in 1908. The piece was premiered on January 31, 1909, in Vienna, Austria. The "Schatzwalzer" consists of a single movement and is approximately three minutes in length. Webern's transcription of Strauss's waltz is notable for its use of atonality, a hallmark of the Second Viennese School. The piece is characterized by its dissonant harmonies, fragmented melodies, and sparse instrumentation. Webern's transcription of the "Schatz-Walzer" is a departure from Strauss's original composition. While Strauss's waltz is a lush and romantic piece, Webern's transcription is sparse and angular. The piece is scored for a small ensemble consisting of two violins, viola, cello, clarinet, and piano. The instrumentation is intentionally sparse, allowing Webern to highlight the dissonant harmonies and fragmented melodies. The "Schatzwalzer" is a prime example of Webern's approach to composition. Webern was interested in exploring new harmonic and melodic possibilities, and his transcription of Strauss's waltz is a testament to his experimental approach. The piece is a departure from the traditional waltz form, and its atonal harmonies and fragmented melodies are a reflection of Webern's interest in exploring new musical territory. In conclusion, Anton Webern's "Schatzwalzer" is a transcription of Johann Strauss II's waltz "Schatz-Walzer." The piece was composed in 1908 and premiered in 1909. The "Schatzwalzer" is a single movement piece that is approximately three minutes in length. The piece is characterized by its dissonant harmonies, fragmented melodies, and sparse instrumentation. The "Schatzwalzer" is a prime example of Webern's experimental approach to composition and his interest in exploring new harmonic and melodic possibilities.
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