Composer

:

Johann Pachelbel

Genre

:

Choral

Style

:

Motet

Compose Date

:

before Apr 1706

Average_duration

:

6:08

'Jauchzet dem Herrn, T. 356' is a sacred choral work composed by Johann Pachelbel, a German composer and organist of the Baroque era. The piece is also known as 'Singet dem Herrn ein neues Lied' and is based on Psalm 149. It was composed in the late 17th century, around 1680-1690, during Pachelbel's time as the organist at the St. Sebaldus Church in Nuremberg. The piece is written for a double choir, with each choir consisting of four voices: soprano, alto, tenor, and bass. The work is divided into six movements, each with its own distinct character and musical style. The first movement is a joyful and exuberant setting of the opening verse of Psalm 149, 'Singet dem Herrn ein neues Lied' (Sing to the Lord a new song). The second movement is a more subdued and contemplative setting of the second verse, 'Israel freue sich des, der ihn gemacht hat' (Let Israel rejoice in him that made him). The third movement is a lively and dance-like setting of the third verse, 'Loben sollen sie seinen Namen im Reigen' (Let them praise his name in the dance). The fourth movement is a slower and more solemn setting of the fourth verse, 'Denn der Herr hat Wohlgefallen an seinem Volk' (For the Lord taketh pleasure in his people). The fifth movement is a joyful and celebratory setting of the fifth verse, 'Es sollen sich freuen die Heiligen' (Let the saints be joyful in glory). The final movement is a triumphant and majestic setting of the sixth verse, 'Loben sollen sie Gott in ihrem Munde' (Let the high praises of God be in their mouth). The piece is characterized by its rich and complex harmonies, intricate counterpoint, and expressive use of text painting. Pachelbel's skillful use of musical devices such as imitation, canon, and fugue, as well as his use of contrasting textures and dynamics, create a sense of drama and excitement throughout the work. 'Jauchzet dem Herrn, T. 356' is considered one of Pachelbel's most significant choral works and is still performed and admired today for its beauty and complexity.

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