Composer

:

Jon Øivind Ness

Genre

:

Chamber

Average_duration

:

12:49

'Moray (The Piece Formerly Known as Phekph Piphtolph)' is a contemporary classical composition by Norwegian composer Jon Øivind Ness. The piece was composed in 1996 and premiered on October 17, 1997, at the Ultima Oslo Contemporary Music Festival. The composition consists of three movements, each with its own distinct characteristics. The first movement, titled "Phekph," is characterized by its use of extended techniques on the instruments, such as multiphonics and glissandos. The second movement, titled "Piphtolph," is more rhythmic and features a driving pulse throughout. The final movement, titled "Moray," is the most atmospheric of the three, with long sustained notes and a sense of tension building throughout. One of the most notable characteristics of 'Moray' is its use of microtonality. The piece is written in a 24-tone equal temperament, which allows for the use of microtones that are not found in traditional Western music. This gives the piece a unique and otherworldly sound that is both challenging and rewarding for the performers and listeners alike. Overall, 'Moray (The Piece Formerly Known as Phekph Piphtolph)' is a challenging and innovative composition that pushes the boundaries of contemporary classical music. Its use of extended techniques, microtonality, and atmospheric textures make it a standout piece in the repertoire of modern classical music.

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