Composer

:

Joachim Raff

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1865

Average_duration

:

24:32

Movement_count

:

4

Movement ....

The Sonata for violin & piano No. 3 in D major, Op. 128, was composed by Joachim Raff in 1873. It premiered on January 22, 1874, in Frankfurt, Germany, with Raff himself on the piano and the violinist Joseph Joachim playing the violin. The sonata consists of four movements and has a total duration of approximately 30 minutes. The first movement, marked Allegro moderato, begins with a lively and energetic theme played by the violin, which is then echoed by the piano. The movement features a number of contrasting themes and moods, including a lyrical second theme and a more dramatic development section. The movement ends with a recapitulation of the main themes. The second movement, marked Andante con moto, is a slow and contemplative piece that showcases the expressive capabilities of both the violin and the piano. The violin plays a mournful melody over a gentle accompaniment from the piano, and the movement builds to a powerful climax before subsiding into a quiet coda. The third movement, marked Scherzo: Allegro vivace, is a lively and playful piece that features a number of virtuosic passages for both the violin and the piano. The movement is characterized by its rhythmic energy and its use of syncopation and offbeat accents. The final movement, marked Allegro molto, is a fast and energetic piece that brings the sonata to a thrilling conclusion. The movement features a number of technical challenges for both the violin and the piano, including rapid runs and arpeggios. The movement ends with a triumphant coda that brings together the main themes of the sonata. Overall, the Sonata for violin & piano No. 3 in D major, Op. 128, is a virtuosic and expressive work that showcases Raff's skill as a composer and his understanding of the capabilities of the violin and the piano. Its four movements offer a range of moods and styles, from the lively and energetic first movement to the contemplative and mournful second movement, and from the playful and virtuosic third movement to the thrilling and triumphant finale.

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