Composer

:

Malcolm Arnold

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1962

First Performance

:

1962

Average_duration

:

14:29

Movement_count

:

3

Movement ....

Malcolm Arnold's Concerto for 2 violins & strings, Op. 77, was composed in 1962 and premiered on May 3, 1963, at the Cheltenham Festival. The concerto is divided into three movements, each with its own distinct character and mood. The first movement, marked Allegro, is a lively and energetic piece that showcases the virtuosity of the two solo violins. The movement begins with a bold and rhythmic theme that is passed between the soloists and the orchestra. The soloists then engage in a playful dialogue, trading off rapid-fire runs and intricate passages. The movement ends with a return to the opening theme, played with even greater intensity and vigor. The second movement, marked Lento, is a stark contrast to the first. It is a slow and mournful piece that features the solo violins in a more lyrical and expressive role. The movement begins with a haunting melody played by the soloists, accompanied by a simple and understated string orchestra. The soloists then engage in a duet, weaving their lines together in a delicate and poignant dialogue. The movement ends with a return to the opening melody, played with even greater intensity and emotion. The third movement, marked Vivace, is a lively and playful piece that brings the concerto to a rousing conclusion. The movement begins with a sprightly theme played by the soloists, accompanied by a lively and rhythmic string orchestra. The soloists then engage in a virtuosic display of rapid-fire runs and intricate passages, trading off their lines in a playful and spirited dialogue. The movement ends with a triumphant return to the opening theme, played with even greater energy and excitement. Overall, Arnold's Concerto for 2 violins & strings, Op. 77, is a masterful work that showcases the composer's skill in writing for both solo instruments and orchestra. The concerto is characterized by its lively rhythms, expressive melodies, and virtuosic solo passages, and is a testament to Arnold's enduring legacy as one of Britain's greatest composers.

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