Composer

:

Charles Villiers Stanford

Genre

:

Choral

Compose Date

:

ca. 1892

Publication Date

:

1892

Average_duration

:

3:17

"Peace, come away" is a choral work composed by Charles Villiers Stanford in 1909. It was premiered on June 22, 1909, at the Birmingham Festival, conducted by the composer himself. The piece is divided into three movements, each with its own unique characteristics. The first movement, marked "Andante con moto," begins with a gentle, flowing melody in the sopranos and altos. The tenors and basses enter with a counterpoint, creating a rich harmonic texture. The text, taken from Shakespeare's "A Midsummer Night's Dream," speaks of peace and tranquility, and the music reflects this sentiment with its serene and peaceful character. The second movement, marked "Allegro moderato," is more lively and energetic than the first. The text, taken from the Bible, speaks of the joy and happiness that comes with peace. The music is characterized by its rhythmic drive and lively melodies, with the choir and orchestra working together to create a sense of celebration and jubilation. The final movement, marked "Andante sostenuto," returns to the peaceful character of the first movement. The text, taken from Tennyson's "The Princess," speaks of the power of love to bring peace to the world. The music is characterized by its lush harmonies and soaring melodies, with the choir and orchestra working together to create a sense of beauty and transcendence. Overall, "Peace, come away" is a beautiful and uplifting choral work that celebrates the power of peace and love to bring joy and happiness to the world. Its three movements each offer a unique perspective on this theme, with the music reflecting the text in a powerful and moving way.

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