Composer

:

Francisco Correa de Arrauxo

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

4:02

Francisco Correa de Arrauxo was a Spanish composer and organist who lived during the late Renaissance period. He is known for his keyboard music, particularly his tientos, which were a type of instrumental composition for the organ. One of his most famous tientos is the "Tiento de séptimo tono," which was composed in the 16th century. The piece is written in the seventh mode, which was a popular mode in Spanish music during this time. The "Tiento de séptimo tono" is a multi-movement work that is characterized by its virtuosic keyboard writing and its use of imitative counterpoint. The piece begins with a slow, improvisatory section that gradually builds in intensity and complexity. This section is followed by a faster, more rhythmic section that features intricate passagework and lively syncopations. The third movement of the "Tiento de séptimo tono" is a fugal section that showcases Correa de Arrauxo's skill as a contrapuntist. The fugue subject is introduced in the bass and is then imitated by the other voices in turn. The fugue builds to a climax before transitioning back to the opening material. The final section of the "Tiento de séptimo tono" is a lively dance-like section that features a catchy melody and a driving rhythm. This section brings the piece to a rousing conclusion and showcases Correa de Arrauxo's skill as a composer of keyboard music. Overall, the "Tiento de séptimo tono" is a masterful example of Spanish keyboard music from the Renaissance period. Its virtuosic keyboard writing, use of imitative counterpoint, and catchy melodies make it a popular piece among organists and keyboard players to this day.

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