Composer

:

Heinrich Scheidemann

Genre

:

Keyboard

Style

:

Chorale Prelude

Average_duration

:

3:20

Heinrich Scheidemann was a German composer and organist who lived from 1595 to 1663. He was a prominent figure in the North German organ school, which was a group of composers and performers who were active in the 17th century. Scheidemann's Chorale for organ: Es Ist Heil Uns Kommen Her is one of his most famous works. The Chorale for organ: Es Ist Heil Uns Kommen Her was composed by Scheidemann in the early 17th century. The exact date of composition is not known, but it is believed to have been written sometime between 1610 and 1620. The piece is a chorale prelude, which is a type of composition that is based on a hymn tune. In this case, the hymn tune is "Es Ist Heil Uns Kommen Her," which is a German Christmas carol. The Chorale for organ: Es Ist Heil Uns Kommen Her is divided into four movements. The first movement is an introduction, which sets the mood for the piece. The second movement is a fugue, which is a type of composition that features a main theme that is repeated and developed throughout the piece. The third movement is a chorale, which is a setting of the hymn tune. The fourth movement is a coda, which brings the piece to a close. The Chorale for organ: Es Ist Heil Uns Kommen Her is characterized by its use of counterpoint, which is the technique of combining multiple melodies to create a complex texture. Scheidemann was a master of counterpoint, and this piece showcases his skill in this area. The piece also features a variety of textures, from the dense and complex fugue to the simple and straightforward chorale. The use of different textures helps to keep the piece interesting and engaging for the listener. Overall, the Chorale for organ: Es Ist Heil Uns Kommen Her is a beautiful and complex piece of music that showcases Scheidemann's skill as a composer and organist. Its use of counterpoint and variety of textures make it a challenging piece to perform, but also a rewarding one for both performer and listener.

More....