Claude Debussy
Pour les degrés chromatiques, L. 136/7
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Composer:Claude DebussyGenre:ChamberStyle:EtudeCompose Date:1915Average_duration:2:15'Pour les degrés chromatiques' is a set of two pieces for piano composed by Claude Debussy in 1915. The pieces were premiered on May 10, 1916, by the pianist Ricardo Viñes at the Salle Gaveau in Paris. The first piece, 'Pour les cinq doigts' (For the five fingers), is a study in chromaticism and explores the use of all five fingers of the hand. The piece is characterized by its fluid and flowing melody, which is punctuated by sudden bursts of dissonance. The chromaticism is used to create a sense of tension and release, with the dissonances resolving into consonant harmonies. The second piece, 'Pour les tierces' (For the thirds), is also a study in chromaticism, but this time focuses on the use of thirds in the melody. The piece is characterized by its delicate and ethereal quality, with the melody floating above a shimmering accompaniment. The chromaticism is used to create a sense of ambiguity, with the melody moving between major and minor tonalities. Both pieces are notable for their use of chromaticism, which was a hallmark of Debussy's style. Chromaticism refers to the use of notes outside of the diatonic scale, and Debussy used it to create a sense of ambiguity and fluidity in his music. The pieces are also notable for their technical demands, with both requiring a high level of skill and dexterity from the pianist. Overall, 'Pour les degrés chromatiques' is a beautiful and challenging set of pieces that showcase Debussy's mastery of chromaticism and his ability to create evocative and expressive music for the piano.More....
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For chromatic degrees, L. 136/7
Étude No. 7 pour les degrés chromatiques (Scherzando, animato assai)
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For chromatic degrees, L. 136/7
Douze Etudes pour piano; Volume II; VII. Pour les degrés chromatiques
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