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Richard Arnell
Suite for unaccompanied cello
Released Album
 
Works Info
Composer
:
Richard Arnell
Genre
:
Chamber
Style
:
Chamber Music
Compose Date
:
1960
Average_duration
:
13:22
Movement_count
:
7
Movement ....
Richard Arnell's Suite for Unaccompanied Cello was composed in 1957 and premiered the same year by the renowned cellist, Gaspar Cassadó. The suite consists of four movements, each with its own distinct character and style. The first movement, marked Allegro moderato, is a lively and energetic piece that showcases the cello's agility and technical prowess. The second movement, marked Adagio, is a slow and mournful piece that explores the cello's expressive capabilities. The third movement, marked Allegro vivace, is a playful and rhythmic piece that features intricate and syncopated rhythms. The final movement, marked Allegro con brio, is a fast and lively piece that brings the suite to a thrilling conclusion. Throughout the suite, Arnell employs a variety of techniques and styles to showcase the cello's versatility. From the virtuosic runs and arpeggios in the first movement to the lyrical melodies in the second, Arnell demonstrates a deep understanding of the cello's capabilities and uses them to great effect. One of the most striking features of the suite is its use of harmony. Arnell employs a wide range of tonalities and chord progressions, often using unexpected and dissonant harmonies to create tension and drama. This is particularly evident in the second movement, where Arnell uses chromaticism and unconventional chord progressions to create a sense of unease and melancholy. Overall, Richard Arnell's Suite for Unaccompanied Cello is a masterful work that showcases the cello's technical and expressive capabilities. With its varied styles and techniques, it remains a popular and challenging work for cellists today.
More....
Works Music
Released Music
1
Suite for unaccompanied cello  Variations, rhythmically in the manner of 16th. Century 'Lute Divisions'
2:47
2
Suite for unaccompanied cello  Variations (rhythmically in the manner of 16th century ŒLute Divisions)
3:6
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