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Alessandro Scarlatti
Gli equivoci nel sembiante
Works Info
Composer
:
Alessandro Scarlatti
Genre
:
Opera
Style
:
Opera
First Performance
:
Feb 2009Feb 1679
"Gli equivoci nel sembiante" is an opera in three acts composed by Alessandro Scarlatti. The opera was first performed in Rome in 1679. The libretto was written by Nicolò Minato, a prominent librettist of the time. The plot of the opera revolves around the love triangle between the Duke of Mantua, his wife, and his mistress. The Duke is in love with his mistress, Rosaura, but is forced to marry the daughter of the Duke of Ferrara, Eleonora. Rosaura disguises herself as a man and becomes the Duke's page, while Eleonora falls in love with Rosaura, thinking she is a man. The confusion and misunderstandings that arise from these mistaken identities form the basis of the plot. The opera is characterized by Scarlatti's use of recitative and aria, which was a popular style of the time. The music is lively and energetic, with a mix of vocal and instrumental pieces. The opera also features a number of duets and ensemble pieces, which showcase Scarlatti's skill in writing for multiple voices. The premiere of "Gli equivoci nel sembiante" was a great success, and the opera went on to be performed throughout Italy and Europe. Scarlatti's music was highly regarded by his contemporaries, and he was considered one of the leading composers of his time. The movements of the opera are divided into three acts, each with its own set of scenes and musical numbers. The first act introduces the characters and sets up the love triangle, while the second act focuses on the confusion and misunderstandings that arise from the mistaken identities. The third act resolves the plot, with the Duke ultimately choosing Rosaura as his true love. Overall, "Gli equivoci nel sembiante" is a lively and entertaining opera that showcases Scarlatti's skill as a composer. Its popularity at the time of its premiere and continued performances throughout the centuries are a testament to its enduring appeal.
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