Composer

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Nicolas-Antoine Lebègue

Genre

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Keyboard

Style

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Keyboard

Average_duration

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15:38

Nicolas-Antoine Lebègue's 'Pièces d'Orgue, Book 1' is a collection of organ music that was composed in the late 17th century. The book was published in 1676 and was dedicated to the French king, Louis XIV. The premiere of the work is not known, but it is likely that it was performed in churches and cathedrals throughout France. The collection consists of eight movements, each of which is a standalone piece that can be played individually or as part of a larger performance. The movements are titled: Plein Jeu, Fugue, Trio, Basse de Cromorne, Caprice sur les Grands Jeux, Offertoire sur les Grands Jeux, Dialogue sur les Grands Jeux, and Tierce en Taille. The first movement, Plein Jeu, is a lively and energetic piece that showcases the full range of the organ. The second movement, Fugue, is a more complex piece that features a single theme that is developed throughout the movement. The third movement, Trio, is a lighter piece that features three voices that play off of each other. The fourth movement, Basse de Cromorne, is a slower piece that features a solo stop on the organ called the cromorne. The fifth movement, Caprice sur les Grands Jeux, is a virtuosic piece that features fast runs and intricate ornamentation. The sixth movement, Offertoire sur les Grands Jeux, is a more solemn piece that is often played during church services. The seventh movement, Dialogue sur les Grands Jeux, is a lively and playful piece that features a call-and-response between two different stops on the organ. The final movement, Tierce en Taille, is a more complex piece that features a solo stop called the tierce. Overall, 'Pièces d'Orgue, Book 1' is a collection of organ music that showcases the versatility and range of the instrument. The movements range from lively and energetic to slow and solemn, and each piece is a testament to Lebègue's skill as a composer. The collection remains a popular choice for organists today and is often performed in churches and concert halls around the world.

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