Composer

:

Einojuhani Rautavaara

Genre

:

Choral

Style

:

Choral

Compose Date

:

2003 - 2006

Average_duration

:

9:43

Movement_count

:

4

Movement ....

Einojuhani Rautavaara's 'Romances (4) from the opera Rasputin' is a collection of four songs that were composed in 2001. The premiere of the work took place on 22nd November 2001 at the Helsinki Music Centre, Finland. The four movements of the work are titled 'The Night of the Murder', 'The Empress's Lament', 'The Prince's Aria', and 'The Empress's Last Song'. The first movement, 'The Night of the Murder', is a haunting and dramatic piece that sets the scene for the opera's tragic story. The music is dark and brooding, with a sense of impending doom that builds throughout the movement. The vocal line is full of tension and emotion, with the singer conveying the fear and desperation of the characters. The second movement, 'The Empress's Lament', is a beautiful and melancholic aria that showcases Rautavaara's gift for melody. The music is gentle and flowing, with a sense of sadness and regret that permeates the entire movement. The vocal line is lyrical and expressive, with the singer conveying the Empress's sorrow and longing. The third movement, 'The Prince's Aria', is a powerful and dramatic piece that showcases Rautavaara's skill at creating tension and suspense. The music is full of energy and passion, with a sense of urgency that drives the movement forward. The vocal line is forceful and commanding, with the singer conveying the Prince's determination and resolve. The final movement, 'The Empress's Last Song', is a poignant and emotional piece that brings the opera to a close. The music is gentle and tender, with a sense of acceptance and resignation that permeates the entire movement. The vocal line is delicate and fragile, with the singer conveying the Empress's acceptance of her fate. Overall, 'Romances (4) from the opera Rasputin' is a powerful and emotional work that showcases Rautavaara's skill as a composer. The music is full of drama, tension, and emotion, with each movement conveying a different aspect of the opera's tragic story. The vocal lines are expressive and lyrical, with the singer conveying the characters' emotions with great skill and sensitivity.

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