Composer

:

Johann Kaspar Kerll

Genre

:

Choral

Style

:

Choral

Average_duration

:

27:56

Movement_count

:

5

Movement ....

Johann Kaspar Kerll's 'Missa In fletu solatium obsidionis Viennensis' was composed in 1683, in response to the Siege of Vienna by the Ottoman Empire. The premiere of the work is not known, but it was likely performed in Vienna shortly after its composition. The mass is divided into six movements: Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei. The work is scored for four vocal parts (soprano, alto, tenor, and bass) and a small orchestra consisting of two violins, viola, bassoon, and continuo. The 'Missa In fletu solatium obsidionis Viennensis' is characterized by its somber and mournful tone, reflecting the gravity of the situation in Vienna during the siege. The use of chromaticism and dissonance in the vocal and instrumental parts adds to the work's emotional intensity. The mass also features moments of contrast, such as the joyful and celebratory Gloria and the peaceful and serene Benedictus. Kerll's use of counterpoint and polyphony is also notable in the 'Missa In fletu solatium obsidionis Viennensis'. The vocal parts often weave in and out of each other, creating intricate and complex harmonies. The orchestra provides a rich and supportive accompaniment, adding depth and texture to the work. Overall, the 'Missa In fletu solatium obsidionis Viennensis' is a powerful and moving work that reflects the tumultuous times in which it was composed. Its emotional depth and musical complexity make it a significant contribution to the Baroque choral repertoire.

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