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Marin Marais
Tombeau de Mr. Meliton in G minor (Pièces de viole, Book I, No. 83)
Works Info
Composer
:
Marin Marais
Genre
:
Chamber
Style
:
Chamber Music
Publication Date
:
1686
Average_duration
:
9:11
Marin Marais was a French composer and viol player who lived from 1656 to 1728. He was a prominent figure in the French Baroque music scene and is best known for his compositions for the viola da gamba. One of his most famous works is the "Tombeau de Mr. Meliton in G minor," which is part of his "Pièces de viole, Book I, No. 83." The "Tombeau de Mr. Meliton" was composed in 1701 as a tribute to a fellow musician, Meliton, who had recently passed away. The piece is a tombeau, which is a type of musical composition that was popular in the Baroque era and was used to commemorate the death of a person of importance. The "Tombeau de Mr. Meliton" is a solo piece for the viola da gamba, which was a popular instrument in the Baroque era. The "Tombeau de Mr. Meliton" is divided into four movements. The first movement is marked "Lentement" and is in G minor. It is a slow and mournful piece that sets the tone for the rest of the work. The second movement is marked "Vivement" and is in G major. It is a lively and energetic piece that provides a contrast to the first movement. The third movement is marked "Gravement" and is in G minor. It is a slow and solemn piece that returns to the mournful tone of the first movement. The fourth and final movement is marked "Lentement" and is in G minor. It is a slow and contemplative piece that brings the work to a close. The "Tombeau de Mr. Meliton" is a beautiful and poignant work that showcases Marais' skill as a composer and his deep emotional connection to his fellow musicians. The piece is characterized by its mournful and melancholic tone, which is typical of the tombeau genre. The use of the viola da gamba as the solo instrument gives the piece a unique and haunting quality that is characteristic of Baroque music. Overall, the "Tombeau de Mr. Meliton" is a masterpiece of Baroque music and a testament to Marais' talent as a composer.
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