Composer

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Artie Matthews

'Pastime Rag No. 4' is a classic ragtime composition by Artie Matthews, an American composer and pianist who was active during the early 20th century. The piece was composed in 1913 and premiered the same year. It is one of Matthews' most popular compositions and is considered a classic of the ragtime genre. 'Pastime Rag No. 4' is a three-movement piece that is characterized by its syncopated rhythms, lively melodies, and intricate harmonies. The first movement is marked by a jaunty, upbeat melody that is played in the right hand while the left hand provides a steady bass line. The second movement is slower and more contemplative, with a more complex melody that is played in both hands. The third movement is a return to the lively, upbeat style of the first movement, with a more complex melody that is played in both hands. One of the most notable characteristics of 'Pastime Rag No. 4' is its use of syncopation. Syncopation is a rhythmic technique that involves placing accents on off-beats, creating a sense of tension and release in the music. Matthews uses syncopation throughout the piece, particularly in the left hand bass line, which provides a counterpoint to the melody in the right hand. Another characteristic of 'Pastime Rag No. 4' is its use of complex harmonies. Matthews was known for his innovative use of harmony, and this piece is no exception. The harmonies are often unexpected and surprising, adding to the overall sense of excitement and energy in the music. 'Pastime Rag No. 4' was a popular piece during the ragtime era and has remained a favorite of pianists and audiences alike. Its lively rhythms and catchy melodies make it a fun and engaging piece to play and listen to, and its historical significance as a classic of the ragtime genre has ensured its enduring popularity.

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